Monday, 25 June 2012
The Next Stop Is Croy and Drive! - free on Kindle
Both of these books are available free for a few days. Do take the chance to download them to your Kindle, PC, iPad, Android, etc.
The Next Stop Is Croy and other stories - "An excellent introduction to the work of Andrew McCallum Crawford. These six short stories follow main character Alan from boyhood to manhood and from tender to tough. Not physically tough, but emotionally. Scottish fiction has a reputation for showing men as dour and emotionally repressed. Did that die with the death of heavy industry? This collection suggests not. Crawford's character experiences the widest possible emotional range in the course of these stories; his difficulty lies in being able to express it. That certainly can't be said for the author. A beautifully written portrayal of things felt but not said."
Drive! - "...McCallum Crawford's debut novel is a Rabelaisian page-turner populated by the freakish, the devious, the deluded and the downright dirty...larger than life characters prey upon weakness; exploit, screw and maim each other with gleeful abandon....the author keeps us guessing, suspending motivation for reportage, laying hooks and plot twists that make for a thrilling roller- coaster ride as our Hero works through his issues with the help of a rock band and some explosives."
Please remember that the books are available from all Amazon sites.
Friday, 22 June 2012
The Next Stop Is Croy and other stories
A series of six short stories about the complex relationship between a son and his father.
The stories in this collection (four published, two unpublished) were not written in the order in which they appear here; they certainly were not conceived as part of a continuous narrative. However, I have decided to bring them together because of the chronology and themes which, it turns out, run through them. Please bear in mind that this is in no way a novella or novelette. It is a collection of short stories, and each story stands or falls on its own, as short stories must.
"An excellent introduction to the work of Andrew McCallum Crawford. These six short stories follow main character Alan from boyhood to manhood and from tender to tough. Not physically tough, but emotionally. Scottish fiction has a reputation for showing men as dour and emotionally repressed. Did that die with the death of heavy industry? This collection suggests not. Crawford's character experiences the widest possible emotional range in the course of these stories; his difficulty lies in being able to express it. That certainly can't be said for the author. A beautifully written portrayal of things felt but not said." Carol McKay
"Above all, I liked the subtlety of these. Nothing is too overt, nothing too explicit – yet everything is there, moving, and insightful and well crafted too. In fact, when I was rereading these, I was in the middle of writing crits for a short story competition, and I wanted to tell everybody to go away and read Golf Balls. Here the writer focuses on a life transforming event, seen from the point of view of a boy who will never feel quite the same way about all kinds of things again. Deceptively simple, but with vast implications over and beyond itself – in fact a textbook example of exactly how short stories should be – little cans of worms that once opened cannot be contained." Catherine Czerkawska
"...when you start to look for outstanding Scottish short story collections there aren’t that many to pick from – Alasdair Gray’s Unlikely Stories, Mostly and AL Kennedy’s Night Geometry and the Garscadden Trains jump out for me. While The Next Stop Is Croy and other stories is not substantial enough to knock these two and Kelman off their perches, it is well worth the read." Jim Murdoch
The Next Stop Is Croy and other stories is available from Amazon co uk and Amazon com
Thursday, 21 June 2012
from Campbell's Visitor
My heels echoed. The guard was in an office at the other end
of the corridor. He was reclining in a swivel chair, his hands clasped behind
his head as he looked at a television. The screen was divided into segments
showing vistas of the car park. He stretched forwards and moved a lever. I
watched my car grow larger in the top left hand corner.
‘So you’re Campbell’s visitor?’ he said. ‘We don’t get many
of them.’
‘No,’ I said.
He leaned on the armrest. ‘What?’ he said. ‘You’re not Campbell’s
visitor?’
‘No, I am,’ I said. ‘I mean…’
He pushed his feet off the floor and glided across the room.
He came to a halt next to a small table. The telephone sitting on it was
antique. He lifted the handset and tapped the cradle.
I heard the faint tinkle of bells in the corridor.
‘Munro,’ he said. ‘Come here and see this.’ He stood up. ‘Munro
will look after you.’
Footsteps. Heavy, Tick – Tock. Rhythmic. Munro was in no
hurry. I could imagine his footwear. Highly polished army boots.
I wasn’t wrong.
‘Munro,’ said the guard. ‘This is Campbell’s visitor.’
Munro stared at me. He was about thirty with a shaved head;
he didn’t like the look of me. I was right about the boots, but I would never
have predicted the blue boiler suit. He had a thick leather belt round his
waist. A set of keys and a truncheon were hanging from it.
‘Clothes maketh the man,’ I said.
‘I thought that was manners,’ said the guard.
‘Has he signed the book?’ said Munro.
‘Good point,’ said the guard. He opened a drawer and raked
around. He eventually pulled out a ledger. ‘That military training of yours
will be the saviour of us all.’
‘Have you got a pen?’ I said.
His hand disappeared into the drawer. ‘There should be…’ he
said. ‘Here you are.’
I made my mark on the paper, at the top of a clean page.
There was nothing written on it, nothing at all, not even the date.
Munro was away. Tick – Tock.
‘Aye,’ said the guard. ‘You’d better go.’
Tuesday, 5 June 2012
from Drive! - Terry's RAF Medical
Terry
stood up. The back of the dressing gown was sticking to his cheeks like
clingfilm. ‘Perhaps I should find another doctor,’ he said.
‘No,
no,’ said Rimmer, and ground out his cigarette in a battered ashtray.
‘Unfortunately, I’m it.’
He
pulled open a drawer. His leather vagina hit the desk with a thud.
‘Don’t
worry,’ he said. ‘I’m not going to ask you to fill it.’
His
arm disappeared into the drawer again, and he produced something metal and
medical with a flourish. He huffed on the dull surface and rubbed it on his
sleeve.
‘If
you’ll, er, follow me over to the bed, as it were.’
Terry
lifted a knee onto the frame, which elicited a quiet laugh from Rimmer.
‘No,
Terry. Not yet. Just sit down.’
Terry
perched himself on the edge of the mattress. It was made of rubber. The backs
of his legs were already stuck to it.
‘If
you’ll lean over,’ Rimmer whispered, ‘I’ll have a quick look at your membrane.’
Cold
pressure as Rimmer pushed and struggled to get the probe into his ear.
‘Oooh,
it won’t go in. First time, is it, Terry? Shall we try some Vaseline?’
Terry
batted the instrument away and stood up, dragging half of the mattress off the
bed. ‘Okay, that’s enough,’ he said.
‘But
you have to do your medical, Terry. Having your eardrums explode at forty
thousand feet might cause problems. You could easily swerve into the path of an
airliner full of drunk tourists. Think how you’d spoil their holiday.’
Terry
raised a finger.
‘And
I have it from informed sources,’ Rimmer continued, ‘that Windolene and a
duster are not standard issue for fighter pilots.’
Drive!, a novel about music and attempted patricide in 1980s Edinburgh, is available here.
Monday, 4 June 2012
from The Canny Cyclist
‘What’s this?’ she said. ‘I told you
I wanted a steak pie.’
‘They didn’t have any,’ he said. ‘I thought you would want
what I got.’
‘But I told you I don’t like sausage,’ she said.
‘Did you?’ he said.
‘Yes!’ she said. She pushed the sausage to the side and
stabbed a chip with her fork.
‘Sorry,’ he said.
The doorbell. Sean sat up straight in the chair. Her
parents? But surely they would have keys?
Whispering in the hallway and a thin young man appeared in
the kitchen. He was dressed like something out of the Tour de France, the zipper
T-shirt, the lycra shorts, the whole bit. He was a skinny guy, but his thighs
were like balloons.
‘I hope you’ve got a bicycle outside,’ said Sean.
‘Aye,’ said the young man. ‘A Peugeot Super Sport.’
Sean was getting stared at as if he’d committed a crime.
Perhaps the whispering had been Rose giving the short version of the chip shop
debacle. He knew it wasn’t that. He wasn’t stupid. ‘Wow,’ he said. ‘A ten-speed
racer. I had one of those when I was a paperboy. You’re not a paperboy, are you?’
‘Sean,’ said Rose, ‘this is Kevin. Kevin, Sean.’
‘Fancy a sausage?’ said Sean. ‘There’s plenty.’
Kevin looked at Rose, who looked at the floor. ‘I’m not
hungry,’ he said. ‘I’m on a diet, anyway. A few mo’ moonths trainin’ an’ ah’ll
be a champion cyclist.’ His accent couldn’t have been any thicker. He was
hamming it up to emphasise his local credentials. There was no need. It was
obvious who the foreigner in the room was.
‘You’re right,’ said Sean. ‘It’s the kind of thing budding
medallists should avoid.’
‘Aye,’ said Kevin.
‘Although I’m quite partial to it,’ said Sean. ‘Not just
sausage, you underst...’
‘Can I see you for a minute?’ said Kevin. He shuffled out
into the hallway. Thighs like balloons and a fat arse. He didn’t say goodbye. Rose
was right behind him. She closed the door. They didn’t try to keep it quiet. Sean
couldn’t make out the conversation, but he could hear the words thudding.
Staccato with pauses. Something about Eleanor, whoever she was. Maybe it was
the boy’s pet name for his bike.
Then a longer silence.
If...
He would wring the bastard’s neck.
No, he wouldn’t. He knew he wouldn’t. It wasn’t in him.
The front door banged shut.
Rose looked worried.
‘One of your old boyfriends?’ said Sean. He’d played scenes
like this before, more often than he wanted to think about.
‘He’s an old friend,’ said Rose. ‘We were at school
together. He’s a bit clingy.’ She examined her nails. ‘But he’s been...never
mind. He’s not important.’ She smiled, but he could see it was forced. ‘You’re
not jealous, are you?’
Words, and how they deceive. All you could do was listen to them.
‘Should I be?’ he said.
from Gentlemen, We Have A Winner
Applause. John left the stage and was immediately cornered by a short man in an expensive suit. His hair couldn't have been dyed any blacker. 'Oh, excellent story,' he said, and offered a hand.
John didn't take it. 'Thank you,' he said.
'Dickson Wordsworth,' said the man. 'If I may be so bold - who, er, represents you?'
John laughed quietly. He'd been through this before. 'I represent myself,' he said. 'Very successfully, as it turns out.' He looked up and had to catch his breath. She was there after all, on the other side of the room, looking at him, a glass of wine at her lips. His Muse.
'...my card, if you'd like to...'
'No, thank you,' said John.
The man touched him. '...pop into the office for a cup of tea...'
John leaned in. 'Fuck off, you leech,' he whispered. 'I'm busy.'
'Well, really, there's no need...'
John moved across the floor, he didn't know how, he couldn't feel his legs.
'Hi,' he said.
'Hi,' she said. Christ, she was beautiful. 'I liked your story.'
You didn't hear all of it, he thought.
'Did you drive down?' he said.
'No, I got the train.' She looked at her watch. 'I can't stay long, the last one leaves...'
'I don't want you to leave,' he said.
'No, I have to get back...'
'I want you to spend the night with me,' he said.
Her silence was encouraging.
'Stay with me,' he said.
'But...'
'Tell him you missed the train. I have to be with you.'
John didn't take it. 'Thank you,' he said.
'Dickson Wordsworth,' said the man. 'If I may be so bold - who, er, represents you?'
John laughed quietly. He'd been through this before. 'I represent myself,' he said. 'Very successfully, as it turns out.' He looked up and had to catch his breath. She was there after all, on the other side of the room, looking at him, a glass of wine at her lips. His Muse.
'...my card, if you'd like to...'
'No, thank you,' said John.
The man touched him. '...pop into the office for a cup of tea...'
John leaned in. 'Fuck off, you leech,' he whispered. 'I'm busy.'
'Well, really, there's no need...'
John moved across the floor, he didn't know how, he couldn't feel his legs.
'Hi,' he said.
'Hi,' she said. Christ, she was beautiful. 'I liked your story.'
You didn't hear all of it, he thought.
'Did you drive down?' he said.
'No, I got the train.' She looked at her watch. 'I can't stay long, the last one leaves...'
'I don't want you to leave,' he said.
'No, I have to get back...'
'I want you to spend the night with me,' he said.
Her silence was encouraging.
'Stay with me,' he said.
'But...'
'Tell him you missed the train. I have to be with you.'
Sunday, 3 June 2012
from a work in progress...
The mist is getting thicker. It confines us. It is inside us, making it hard to breathe. Our voices. We sound like people who are drowning.
Thursday, 31 May 2012
A Man's Hands by Andrew McCallum Crawford
My story, A Man's Hands, which received an Honourable Mention in the 2012 Spilling Ink Review Flash Fiction Prize, has just been published in Spilling Ink Review issue 8. Excellent magazine published in Glasgow, featuring writers from all over the world. Do have a look.
Monday, 28 May 2012
Saturday, 26 May 2012
Greece - General Election, 17th June, 2012. It's time the Greeks got their heads out of the sand.
Greece's European partners have been circling the wagons for a few days now, so the shock at British Home Secretary Theresa May's racist pronouncement on curtailing immigration wasn't as great as it might have been. However, in the developing Greek crisis, it is clear that the only country without a contingency plan is Greece.
The causes of the current mess are many and various. There's a lot of talk about corrupt politicians and banks being out of control, but the Greeks also have to shoulder some of he blame. So much for how we came to this pass. The problem is what happens now? What's the next step?
It is interesting to note May's comment that there is no evidence of increased migration at present...but it is difficult to say how it is going to develop in the coming weeks. She is referring, of course, to the forthcoming Greek general election, the second in a month, scheduled for 17th June. The Greeks are in a dilemma. Should they vote for the old guard, for New Democracy and Pasok, whose MPs have filled their pockets over the last 25 years with European money, or take a chance on Alexis Tsipras and his anti-austerity party, Syriza?
New Democracy / Pasok are selling the lie that they can renegotiate the bailout agreement when they know very well that they can't. They will impose more austerity and more taxes. The point here is that the average Greek has got nothing more to give. Salaries in some sectors have been cut to €400 a month, with more cuts on the way.
In Greece, in May, 2012, there is no minimum wage.
But New Democracy / Pasok are telling voters to suck it up, that everything will be all right.
Clearly, it won't.
Syriza, meanwhile, are flying the proud Greek flag. They say, quite rightly, that Greeks have had enough. However, Tsipras wants to tear up the bailout agreement. He believes that even if he does this the country will stay in the Euro because it would cost the EU too much to show Greece the door. And this is now the mindset of many Greeks - 'they wouldn't dare kick us out'.
It is time the Greeks, whatever their political persuasion, got their heads out of the sand.
The EU is preparing to cut Greece loose, but no Greek politican - not one - has a contingency plan if this happens. They promise 'hope', when in fact all they do is shout each other down, daily, on television 'discussion' programmes.
The politicians in Athens bark at each other like rabid dogs as the wagons of their European partners circle even more tightly. They want the Greeks out. The UK is the first to announce publicly that they want them to stay out.
The causes of the current mess are many and various. There's a lot of talk about corrupt politicians and banks being out of control, but the Greeks also have to shoulder some of he blame. So much for how we came to this pass. The problem is what happens now? What's the next step?
It is interesting to note May's comment that there is no evidence of increased migration at present...but it is difficult to say how it is going to develop in the coming weeks. She is referring, of course, to the forthcoming Greek general election, the second in a month, scheduled for 17th June. The Greeks are in a dilemma. Should they vote for the old guard, for New Democracy and Pasok, whose MPs have filled their pockets over the last 25 years with European money, or take a chance on Alexis Tsipras and his anti-austerity party, Syriza?
New Democracy / Pasok are selling the lie that they can renegotiate the bailout agreement when they know very well that they can't. They will impose more austerity and more taxes. The point here is that the average Greek has got nothing more to give. Salaries in some sectors have been cut to €400 a month, with more cuts on the way.
In Greece, in May, 2012, there is no minimum wage.
But New Democracy / Pasok are telling voters to suck it up, that everything will be all right.
Clearly, it won't.
Syriza, meanwhile, are flying the proud Greek flag. They say, quite rightly, that Greeks have had enough. However, Tsipras wants to tear up the bailout agreement. He believes that even if he does this the country will stay in the Euro because it would cost the EU too much to show Greece the door. And this is now the mindset of many Greeks - 'they wouldn't dare kick us out'.
It is time the Greeks, whatever their political persuasion, got their heads out of the sand.
The EU is preparing to cut Greece loose, but no Greek politican - not one - has a contingency plan if this happens. They promise 'hope', when in fact all they do is shout each other down, daily, on television 'discussion' programmes.
The politicians in Athens bark at each other like rabid dogs as the wagons of their European partners circle even more tightly. They want the Greeks out. The UK is the first to announce publicly that they want them to stay out.
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